[artistic statement]

In my artistic practice, I explore the intricate connections between humanity and more-than-human world through dance. By weaving the patterns of kinaesthetic sensing and response, I delve into the realm of ‘ecokinetic knowledge’ (Kimerer L. LaMothe, 2015), viewing dance not merely as a means to sensually understand these connections, but also as a potential tool for re-patterning them.

Informed by embodied movement and a diverse array of dance and non-dance traditions, my practice places a strong emphasis on improvisation and a community-centered approach. I intentionally blur the lines between artistic expression and education, seeking to bridge the gap between artist and audience. Rooted in a quest for integrity between art and life, this approach addresses the alienation often experienced within artistic practice and cultivates inclusivity.

The significance of locality manifests in site-sensitivity of my projects and endeavors to embed the community it occurs in. Committed to environmental and social sustainability, I strive to minimize resource consumption by prioritizing the reuse and recycling of materials, while outdoor performances allow me to reduce energy usage and minimize my carbon footprint.

Nurtured by questioning and dismantling colonial systems of knowledge, my research interests intersect at the nexus of dance practice, indigenous studies, and new technologies. This interdisciplinary exploration holds the potential to reimagine and reshape power dynamics within human society and beyond, fostering versatility and response-ability.